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Hannah and Her Sisters (Widescreen)

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$11.59 List: $14.98Save: $3.39 (23%)

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Details

Description

    A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Mia Farrow) regularly meets with her sisters Holly (Dianne Wiest) and Lee (Barbara Hershey) to discuss the week's events. It's what they don't always tell each other that forms the film's various subplots. Hannah is married to accountant and financial planner Elliot (Michael Caine), who carries a torch for Lee, who in turn lives with pompous Soho artist Frederick (Max Von Sydow). Meanwhile, Holly, a neurotic actress and eternal loser in love, dates TV producer Mickey (Allen), who used to be married to Hannah and spends most of the film convinced that he's about to die. Appearing in supporting parts are Lloyd Nolan and Maureen O'Sullivan (Farrow's real mom), as the eternally bickering husband-and-wife acting team who are the parents of Hannah and her sisters. The film begins and ends during the family's traditional Thanksgiving dinner, filmed in Farrow's actual New York apartment. Unbilled cameos are contributed by Sam Waterston as one of Wiest's brief amours and Tony Roberts as one of Allen's friends. Hannah and Her Sisters collected Oscars for Michael Caine, Dianne Wiest, and Woody Allen's screenplay. Hal Erickson, All Movie Guide

Features

Awards

    Awards: Academy Awards (3)
    Winner: Academy Awards Best Supporting Actor 1986, Michael Caine
    Winner: Academy Awards Best Supporting Actress 1986, Dianne Wiest
    Nominations: Academy Awards (4), Golden Globe Awards (4)
    Nominee: Academy Awards Best Picture 1986, Robert Greenhut
    Nominee: Academy Awards Best Director 1986, Woody Allen
    Nominee: Golden Globe Awards Best Director 1986, Woody Allen
    Nominee: Golden Globe Awards Best Screenplay 1986, Woody Allen

Additional Information

  • DPCI: 058-14-0345
  • ASIN: B002FN08K2
  • Catalog #: 11297882
  • Item can not be gift wrapped.

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Expert Reviews

The film that, in the words of one critic, established Woody Allen as the urban poet of our anxiety-ridden age, Hannah and Her Sisters was Allen's most accomplished film since Manhattan. Returning Allen to the landscape of his beloved Manhattan, Hannah was a warm, perceptive, deeply human affair with a distinctly Chekhovian feel (starting from its three sisters motif), a dramatic comedy that elevated longing, discontent, and hope into a kind of artistic expression. The film seemed to differ from Allen's previous works in its attitude; with Hannah, he seemed to reach a state of contentment, pleasing himself as he pleased his audience. The cinema's undisputed kingpin of neurosis and self-doubt, Allen had always produced material that was dependably quick-witted and literate, but tinged with perpetual dissatisfaction. With Hannah, Allen finally appeared to be enjoying himself, and in so doing he set a new standard for both himself and other comedy filmmakers. Rich, intricately detailed, and novel-like in its narrative scope, it was perhaps Allen's most complete and satisfying film, taking its cues from his past work while beckoning in new directions for the future. Rebecca Flint Marx, All Movie Guide